From Washington, D.C. to Lhok Ngah, Aceh: Thoughts on Africa Rifting – Line of Fire, Namibia/Brazil A Film by Georgia Papageorge, 2002

Jonathan Zilberg, Honorary Curator

 

Tikar Pandan
Banda Aceh

 

 

Africa Rifting. I struggle for words. Where do I begin this visual story of a long red cloth making landscape and sadness breathe.

Africa Rifting is an extraordinary work of art, an art film, which has moved me deeply each time I have watched it and I have done so many times. Each time I am affected anew in the most profound way beneath and beyond words such that I hesitate to write this. How can one do justice to a work of art as powerful as this? What is the point of writing a review? But I must, as I have asked and been given and promised. And more than that, because each time I see it I am taken back to Lok Ngah. The first time, I saw the film, was in Washington, D.C. There, in the Smithsonian’s National Museum of African Art, I sat in stunned and silent awe and felt a strange need to try and show it in Aceh one day. Georgia has given me a copy of this film and it can be seen at Tikar Pandan or Episentrum Ulee Kareng whenever you want. 

 

 

 

 

Festival Film Arab

Festival Film ArabAnlat Istanbul
Sutradara : Selim Demirdelen/Turki/200../Bahasa Inggris subteks Inggris/Pemain : Erdem Akakce,Azra Akin,Ozgu Namal, Mehmet Gunsur.

Satu Malam lima cerita di Istanbul. Ada satu hal yang menyatukan cerita itu: Mereka semua aneh serupa dongeng tua. Dan nasib, seperti kata pengarang Argentina JorgeLuis Borges, adalah potongan yang beragam dan berulang kemudian menuju tua

One Night in Istanbul. 5 Tales. There is one thing that brings together these seeamingly distant stories: They all strangely resemble some old fairy tales. The Fate, as Borges puts it, is partial to repeitions and variations. She turns an old

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Sjariat Islam in Atjeh

     When C. Snouck Hurgronje made his famous ethnography of Aceh at the beginning of the Twentieth Century and in the midst of the fierce anti-colonial war, he was centrally concerned with the place of the sjari’at. According to Snouck, Islamic law was honored, but only to be ignored.. Achenese, he said, were fierce Muslims. It was in the name of Islam and in the name of Aceh that Acehnese opposed the Dutch. Snouck was an Islamacist who had made important studies of Islam before coming to Aceh. For him, the difference between adat and Islam was evident. It was evident too for Acehnese but not in the same way. For Snouck, adat ruled. But, at the same time, Acehnese insisted that there was no difference between adat and Islam. The latter was said to be the guide to the former. Whatever the former consisted of, then, was legitimated by Islam. The sjari’at in that sense was present to Acehnese from the start and continued to be so.
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Mesin Syariat

Mesin syariat
 
Assalamualaikum.
kami selaku org tua murid
telah melakukan musyawarah
dan mendapat satu butir kesepakatan
yang isinya; kami berharap kpd bapak/ibu
di SMA-SMA khususnya SMAN 3 BNA, supaya
melakukan pemisahan kelas antara siswa putra dan putri
+6281269342xxx1

 
 
Sidang pembaca.
Semoga Allah, yang jiwa saya ada dalam genggaman-Nya mengampuni jika saya menyatakan bahwa bicara tentang syariat Islam di Aceh kini seumpama nanah dalam bisul tanpa mata, tak bisa muncrat, serupa itu kesulitan runtutan kata-kata yang hendak mendesak keluar dari otak untuk menjelaskan bagaimana sebuah kecemasan telah bekerja dengan seksama, pun dalam senyap sebuah tulisan pengantar.
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